摘要
宋易河洛学围绕着“圣人如何画卦作《易》”的问题而建立,《河图》与《洛书》的关系也是它必须面对的问题。宋易河洛学开始于《易数钩隐图》,从刘牧到程大昌,他们都认为“图九书十”。《易数钩隐图》可分为三个部分:第一部分以形而上下区分《河图》《洛书》,第二部分引入《洪范》以与《洛书》相配,第三部分认为《河图》就是“参伍”之数。《易数钩隐图》承认圣人则《河图》《洛书》而画卦作《易》,但没有详细展开。程大昌认为,《河图》为本、《洛书》为用,并以《说卦传》“乾坤生六子卦”为核心,统一了《易传》中诸种圣人作《易》的说法,解决了刘牧系河洛学“圣人如何画卦《作易》”的根本问题。
The Song(960-1279)He-Luo Yi-ology was to answer"how a sage created Zhou Yi"and the relationship between He Tu and Luo Shu.It began with the book named Yi Shu Gou Yin Tu.From Liu Mu to Cheng Dachang,they all considered"He Tu nine but Luo Shu ten".Yi Shu Gou Yin Tu can be divided into three parts.The first part distinguished He Tu and Luo Shu metaphysically,the second part introduced Hong Fan to match the Luo Shu,and the third part believed that He Tu was the"Can-wu"number.This book admitted that the sage created Zhou Yi based on He Tu and Luo Shu,but did not explain the specific process.Cheng Dachang believed that He Tu was the basis and Luo Shu was for the use and"Qian and Kun produced other six Gua"in the Shuo Gua Zhuan as the core,thus unifying the various creations of the Zhou Yi in the Yi Zhuan,and solving the fundamental problem of Liu Mu school of He Luo studies.
出处
《中州学刊》
CSSCI
北大核心
2020年第10期115-121,共7页
Academic Journal of Zhongzhou
作者简介
白发红,男,清华大学哲学系博士生(北京100084)。
