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关于中国民族民间舞剧目课教学的实践与思考 被引量:13

Practice and Reflection on the Teaching of Chinese Ethnic and Folk Dance Repertoire Course
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摘要 "舞蹈剧目"是指具有特定情节或情绪的完整而独立的舞蹈作品的统称,即在舞蹈艺术中作品的名目。回顾历史不难发现,中国舞蹈艺术的发展是以一个个精美的"剧目"的形式留下其足迹的,它们既有自身独特的风格韵律,又代表着那一时期舞蹈艺术的审美标准,更成为衡量一个历史阶段舞蹈发展水平的标志。随着舞蹈高等教育事业的不断发展与进步,"舞蹈剧目"教学作为一门必修课被列入全国各地舞蹈院校的课程设置中,北京舞蹈学院中国民族民间舞系几十年来也一直将"剧目课"作为本专业课程设置中的重要必修课,侧重于对中国民族民间舞蹈剧目的教学,并穿插相应的表演基本理论知识、表演基础训练的讲授与练习。 "Dance repertoire"refers to the general designation of complete and independent dance works with specific plots or emotions,that is,the names of dance works.Looking back on the history,it is not difficult to find that the development of Chinese dance art has left its footprints in the form of exquisite"repertoires",which not only have their own unique styles,but also represent the aesthetic standard of dance art during a specific period.They have become a symbol to measure the development level of dance in that historical stage.With the continuous development of higher dance education,"dance repertoire"teaching as a compulsory course has been incorporated into the dance curriculum of colleges and universities all over the country.The Department of Chinese Ethic and Folk Dance of Beijing Dance Academy has always regarded"repertoire course"as an important compulsory course in its curriculum setting since its establishment,focusing on the teaching of Chinese ethnic and folk dance repertoires,and interspersing it with the corresponding basic theoretical performance knowledge,the teaching and practice of basic performance training.
作者 靳苗苗 JIN Miao-miao(Department of Chinese Ethnic and Folk Dance,Beijing Dance Academy,Beijing100081,China)
出处 《北京舞蹈学院学报》 CSSCI 2020年第3期104-111,共8页 Journal of Beijing Dance Academy
关键词 舞蹈剧目 表演 人才培养 dance repertoire performance talent cultivation
作者简介 靳苗苗(1975-),女,本科,北京舞蹈学院中族民间舞系副教授,主要研究领域:中国民族民间舞教学与创作。
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