摘要
所谓“审美代沟”,即审美的代际差异在某个特定时段或者场景中,以较为显著的形态显现出来的状态。代际的审美差异必然发生,区别只在于显著与否,它本质上是一种代际变化而引发的认同与区隔现象。共同的社会记忆在“审美认同”的形成过程中扮演着关键角色,而“审美认同”是一种从感官到观念的双重结构,关涉个人生命的自我身份认同问题。随着社会繁荣期的到来,审美差异的主要呈现形式也将发生变化,过去那种以年代为划分依据的所谓“代沟”,逐步让渡给更细分的群体之间的差异。
The so-called“Generation gap in aesthetics”refers to the state in which the intergenerational differences in aesthetic cognition appear in a more prominent form in a specific period or scene.The aesthetic differences between generations are bound to occur,and the difference is only significant or not.It is essentially a phenomenon of identification and distinction caused by intergenerational changes.Common social memory plays a key role in the formation of“aesthetic identity”.“Aesthetic identity”is a dual structure from the senses to the concept,which concerns the self-identity of individual life.With the advent of social prosperity,the main forms of aesthetic differences will also change.In the past,the so-called“generation gap”,which was based on the division of time,is gradually giving way to the more subdivided amonythe social groups.
出处
《文化研究》
2020年第1期5-19,共15页
Cultural Studies
关键词
审美代沟
共同记忆
区隔
身份认同
感官感受
generation gap in aesthetics
common memory
distinction
identity
sensory perception
作者简介
简圣宇,扬州大学美术与设计学院教授。
