摘要
我国对传统文化的探索和研究一直处于稳步攀升的阶段,随着社会的发展及科学水平的提高,越来越多优秀的传统文化出现在大众的视线中。看似遥远的传统文化也开始逐渐渗透到人们的工作生活当中,而传统文化的发展维度并不局限于此。文明的进步,信息的高速互通打开了人们认知的新世界,提高了精神层次的追求。为此,现代设计当中不乏具有传统文化元素的设计作品。但是,这类设计中的部分作品仅有其表,不具其里,往往无法将传统文化的精髓表现出来,生搬硬套的应用方式,使人们出现了审美疲态。基于此,笔者试图以传统文化为切入点,以现代设计为载体,追本溯源,分析传统文化的传承基因,并建立起两者之间的联系。探寻传统文化基因在现代设计中的裂变新范式,明确其设计趋势。
Chinas exploration and research of traditional culture has been in the stage of steady rise.With the development of society and the increase of scientific level,more and more excellent traditional culture appears in the publics line of sight.The seemingly distant traditional culture has gradually penetrated into peoples work and life,and the development dimension of traditional culture is not limited to this.The progress of civilization and the high-speed communication of information have opened up a new world of cognition and enhanced peoples pursuit of spiritual level.Therefore,there is no lack of design works with traditional cultural elements in modern design.However,some of the works in this kind of design only have simple meaning,without specific contents,so the essence of traditional culture cannot be expressed,and the mechanically copied application mode makes people appear aesthetic fatigue.Based on this,the work attempts to trace the origin of traditional culture by taking traditional culture as the entry point and modern design as the carrier,analyze the inheritance genes of traditional culture,establish the relationship between the two,explore the new paradigm of the fission of traditional culture genes in modern design,and clarify the design trend.
作者
刘斌
LIU Bin(Tianjin Sino-German University of Applied Sciences,Tianjin 300350,China)
出处
《工业工程设计》
2020年第5期97-102,共6页
INDUSTRIAL&ENGINEERING DESIGN
基金
于田文化产业品牌策划设计采购项目。
关键词
传统文化
现代设计
传承基因
新范式
traditional culture
modern design
passing on genes
new paradigm
作者简介
刘斌(1979—),男,天津人,硕士,天津中德应用技术大学副教授,主要研究方向品牌策划及工艺美术文创设计。
