摘要
不同于其他题材的电影,"南京大屠杀"题材电影承担着更多的历史责任,要以承认历史事件的真实性为前提来进行艺术的审美建构,兼顾历史真实与艺术真实。"南京大屠杀"题材电影要重视历史中个体的生命体验的表现和传达,怀着温情去书写人的历史与人的记忆,以过去的人的生命体验去触动、感染现代人的生命体验。"南京大屠杀"题材电影需要在审美标准与道德标准之间取得平衡,避免消费苦难、消费暴力,符合基本的道德和价值判断,弘扬民族意识,增强民族认同感,建构不能忘却的民族文化记忆。
The movies on the theme of the Nanjing Massacre,which are different from the movies of other themes,bear more historical responsibility.It is necessary that we carry out the aesthetic construction of art on the premise of admitting the authenticity of historical events,and take into account both historical truth and artistic truth.The movies on this theme should pay attention to the representation and transmission of individual life experience in history,write people’s history and memory with tenderness,touch and infect the present life experience with the life experience of the past.Also,movies of this theme should aim at striking a balance between aesthetic standards and moral standards,avoiding consumption suffering and violence,complying with basic moral and value judgment,carrying forward national consciousness,enhancing national identity,and constructing unforgettable national cultural memory.
作者
王霞
WANG Xia(College of Literature,Yunnan Normal University,Kunming 650500,China)
出处
《吉首大学学报（社会科学版）》
CSSCI
北大核心
2020年第5期115-122,共8页
Journal of Jishou University(Social Sciences)
基金
国家社会科学基金项目(16CZW013)。
关键词
南京大屠杀
电影
历史真实
艺术真实
创伤记忆
生命体验
Nanjing Massacre
movie
historical truth
artistic reality
traumatic memory
life experience
作者简介
王霞,女,博士,云南师范大学文学院副教授。
