摘要
苏轼作为北宋书坛的领军人物与中国文化史上的巨擘,其不仅精通诗词与文赋,而且擅长书法与绘画。他重视书法创作理论,其书论多集中于他的题跋或散论中,观念自成体系、主旨明确,其中论理、论意、论法、论评所蕴含的美学思想对当代艺术创作有着极为深刻的启示意义。通过分析苏轼书论核心思想与现代设计审美的共通性,借此确立对古代艺术理论成果的关注,倡导构建具有传统文化特色的设计体系。
Su Shi is a cultural leader in the Northern Song Dynasty,and a rare giant in the history of Chinese culture.Su Shi was not only proficient in poetry and Wen Fu,but also good at calligraphy and painting.He attached importance to calligraphy,which could be found mostly in his inscription or essays,logic,artistic conception,design rule and comment in the calligraphy.They have the effect of evaluation on artistic creation.The study takes the commonality between design method and Calligraphy aesthetics,in order to establish attention to the theoretical achievements of ancient art and establish a design system with national cultural characteristics from a unique perspective.
作者
沈袁达
SHEN Yuanda(School of Fine Arts,Nantong Normal College,Nantong Jiangsu 226010,China;Graduate School of Dong-A University,Busan 49315,Korea)
出处
《成都理工大学学报（社会科学版）》
2020年第3期107-110,共4页
Journal of Chengdu University of Technology:Social Sciences
基金
江苏省高校哲学社会科学研究基金(专题)项目“中国书法艺术元素在现代平面设计中的应用研究”(2018SJA2000)系列成果。
关键词
艺术美学
审美共通性
苏轼书论
现代设计
关系
artistic aesthetics
aesthetic commonality
Su Shi’s calligraphy
modern design
relation
作者简介
沈袁达(1981-),男,江苏海门人,博士研究生,讲师,主要研究方向:传统艺术理论与现代设计研究。
