摘要
"新时期"既是新中国前三十年总体性文学建制走向消解的时期,也是中国文学重构总体性的时期。莫言的《红高粱家族》受复杂历史意识的影响,既有启蒙现代性叙事的内在规定性和民族主义总体话语构建诉求,又以个体生命的历史经验性解构超验的总体性话语。死亡是透视莫言小说精神构成和美学表征的重要装置,《红高粱家族》以杂糅象征美学与寓言美学的死亡叙述,表征着"新时期文学"历史主体重建的矛盾性以及总体性叙事的未完成状态。
The“New Period”is not only the period when the literary system of totality over the first 30 years of new China went into dissolution,but also the period when Chinese literature reconstructed its totality.Influenced by the complex historical consciousness,Mo Yan’s Red Sorghum Clan not only embodies the internal prescriptive nature of the enlightened narrative of modernity and the appeal to reconstruct the overall nationalist discourse,but also deconstructs the overall discourse of transcendence through the historical experience of individual life.Death is an important device through which to examine the spiritual composition and aesthetic representation of Mo’s novels.The Red Sorghum Clan combines the death narrative blending symbolic aesthetics with allegorical aesthetics,which represents the contradiction of the reconstruction of historical subject of“literature in the New Period”and the unfinished state of the narrative of totality.
作者
王金胜
WANG Jin-sheng(School of Liberal Arts,Qingdao University,Qingdao 266071,China)
出处
《东方论坛（青岛大学学报）》
2020年第3期62-72,共11页
Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）
基金
国家社会科学基金项目“莫言的中国主体重建与新文学传统研究”(17BZW159)的阶段性成果。
作者简介
王金胜,男,山东临朐人,文学博士,青岛大学文学院教授,主要从事中国现当代文学研究。
