摘要
伴随着从文本到舞台的形变,戏剧也在思想与实践层面发生了空间变化,并服务于城市文化的转型升级。作为戏剧演出的场域空间,剧场成为城市“第三空间”的一个重要文化符号。全球戏剧城市在戏剧内部演化和城市外部发展的动态平衡过程中应运而生。结合世界空间和时间的流变,依托戏剧特性及其与城市交互史的基础,我们认为全球戏剧城市的形成要素包括了“基因”“场域”“教育”和“气质”四个方面。
Along with the transformation from text to stage,theatre has also undergone spatial changes in ideology and practice,and serves the transformation and upgrading of urban culture.As the field space of drama performance,theatre has become an important cultural symbol of the“third space”of the city.The Global Theatre City also emerges from the dynamic balance between the internal evolution of the theatre and the external development of the city.Based on the characteristics of theatre and the history of its interaction with the city,it is considered that there are four elements of the Global Theatre City,including“gene”,“field”,“education”and“temperament”.
作者
陈思
CHEN Si(Shanghai Theatre Academy,Shanghai 200040,China;Waseda University,Tokyo 1690051,Japan)
出处
《城市学刊》
2020年第3期81-84,共4页
Journal of Urban Studies
基金
国家社科基金艺术学重大项目(17ZD08)。
关键词
全球戏剧城市
基因
场域
教育
气质
Global Theatre City
gene
field
education
temperament
作者简介
陈思(1984-),男,浙江温州人,助理研究员,早稻田大学客座研究员,主要从事全球城市、艺术教育研究。
