摘要
侗族大歌是多声部音乐的典型代表,历史悠久,充分展现了侗民生活的各个方面,其细腻朴实的风格直接来自音声结构,体现为:分节歌性质的多段联体"枚";支声复调织体与持续音衬托式主调织体;以五声羽调式为主;旋法起伏有致;侗语"吟腔"进行演唱。此音声结构的形成与其文化生境密不可分:历史悠久的农耕方式奠定了侗族大歌的和谐稳定性;鼓楼文化促使和声织体的形成;极富凝聚力的人文风俗促使形成以腔段为核心的多段联体结构。
The Dong Chorus is a typical representative of multi-voice music with a long history,fully showing all aspects of the Dong people s life.Its delicate and simple style comes directly from its sound structure,which is embodied as follows:the structure of the melody is composed of multi-segments with the nature of segmented songs,named by mei,and has a series of mature systems;the texture of branch polyphony and the main tone of continuous tone are adopted;the five-tone feather mode is adopted in the mode of the melody;the melody development technique has its own characteristics and ups and downs;and the tune is sung in the Dong language.The formation of this sound structure is inseparable from its cultural habitat,that is the long history of farming has laid the foundation for the stability of the vocal structure of the Dong Chorus;the drum tower culture has promoted the formation of harmony texture,and the humanistic customs with great cohesion have promoted the formation of the multi-stage structure with the cavity as the core.
作者
廖婧
LIAO Jing(School of Arts,Hunan University of Science and Technology,Xiangtan 411201,China)
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2020年第3期154-162,共9页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
湖南省教育厅科学研究项目(18C0337)。
关键词
侗族大歌
文化生境
音声结构
the Dong Chorus
cultural environment
sound structure
作者简介
廖婧(1990—),女,湖南醴陵人,博士,讲师,硕士生导师,主要从事民族艺术研究。
