摘要
隐喻最早作为修辞手法被人们理解运用,随着文明的不断进步,隐喻也被广泛运用到除文学外的其他学科,逐渐渗透进人们的日常生活。建筑作为文明社会的产物,伴随着科技的提升,人们扩大其交叉学科的研究范围,旨在拓宽认知领域,丰富发展空间。电影《布达佩斯大饭店》最广为探讨的是韦斯·安德森的叙事手法与色彩运用,但其建筑空间的营造却鲜有人研究,结合隐喻理论,探讨了隐喻主义指导下的建筑空间营造。
Metaphor was first understood and used by people as a rhetorical device. With the continuous progress of civilization,metaphor has been widely used in other disciplines except literature,gradually permeated into People’s daily life. As the product of civilized society,with the improvement of science and technology,people expands the research scope of its interdisciplinary,aiming at broadening the cognitive field and enriching the development space. Wes Anderson’s narrative technique and use of color are most widely discussed in the film the Grand Budapest Hotel,but his construction of architectural space is rarely studied. Attempts to explore the construction of architectural space under the guidance of metaphor by combining with metaphor theory.
作者
金美岑
Jin Meicen(Northeast Forestry University,Harbin 150040,China)
出处
《山西建筑》
2020年第12期31-33,共3页
Shanxi Architecture
关键词
建筑空间
隐喻主义
空间隐喻
architectural space
metaphor
spatial metaphor
作者简介
金美岑(1998-),女,在读本科生。
