摘要
惠栋训纂王士禛《渔洋山人精华录》,引起了清代诗坛及学术界的广泛议论。其中钱大昕、江藩有关《训纂》的评价尤具代表性,钱、江二人均认为《训纂》的成就已超过任渊《山谷诗集注》、李壁《王荆文公诗笺注》。惠栋《训纂》在与任渊《集注》、李壁《笺注》对比后,彰显出“忠于原本”“以证代议”及“博采兼容”等特点,然仍无法佐证该书成就超轶《集注》《笺注》。钱大昕、江藩有关《训纂》的评点,折射出清代诗歌注释学注重艺术境界与强调朴学实证、“求精”与“嗜博”,两套不同评价体系间的对立。而朴学视域下艺术审美与学术价值的冲突,也影响了此后诗歌注释学的发展路径。
Excerpts of Yu Yang Shan Ren’s Essence Training fabricated by WANG Shizhen and annotated by HUI Dong arouses the extensive discussion of poetry and academia of the Qing Dynasty.QIAN Daxin and JIANG Fan’s comment on Excerpts of Yu Yang Shan Ren’s Essence Training was representative.QIAN and JIANG thought that the achievement of Excerpts of Yu Yang Shan Ren’s Essence Training had exceeded Shan Gu Shi Ji Zhu of REN Yuan and Wang Jing Wen Gong Shi Jian Zhu of LI Bi.Compared with Shan Gu Shi Ji Zhu of REN Yuan and Wang Jing Wen Gong Shi Jian Zhu of LI Bi,Excerpts of Yu Yang Shan Ren’s Essence Training by HUI Dong showed the features of“being loyal to the original text”,“replacing argumentation with demonstration”and“being inclusive and compatible”,but there were no proof which could prove that the book exceeds Shan Gu Shi Ji Zhu and Wang Jing Wen Gong Shi Jian Zhu.QIAN Daxin and JIANG Fan’s comment on Excerpts of Yu Yang Shan Ren’s Essence Training reflected the contrast of two different evaluation systems in poetry annotation in the Qing Dynasty,paying attention to the artistic realm and emphasizing the demonstration of textual research,“refining”and“erudite”.The conflict of art aesthetics and academic values under the vision of textual research also affected the development patch of poetry annotation in the later period.
作者
王祥辰
许建中
WANG Xiangchen;XU Jianzhong(College of Humanities,Yangzhou University,Yangzhou,Jiangshu 225009,China)
出处
《江西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第2期82-89,共8页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
教育部哲学社会科学研究重大课题攻关项目“清代扬州学派文献整理与研究”(编号:14JZD035)
扬州大学研究生科研创新项目“惠栋与吴派经学研究”。
关键词
惠栋
《渔洋山人精华录训纂》
文学艺术
实证
HUI Dong
Excerpts of Yu Yang Shan Ren’s Essence Training
literature and art
demonstration
作者简介
王祥辰(1990-),男,江苏南京人,扬州大学博士研究生,研究方向为清代学术与文学;许建中(1957-),男,山东海阳人,扬州大学教授、博士生导师,研究方向为中国戏曲史和中国小说史。
