摘要
《金瓶梅》和《水浒传》中虽然都塑造了武松这一形象,但二者具有很大差异。武松是《水浒传》中的主要人物之一,作者致力于刻画他高大光辉的英雄。但在《金瓶梅》中武松不再是主角,作者无意凸显其好汉形象,在情节安排上亦对其英雄事迹做了大量删减。《金瓶梅》对《水浒传》中武松形象的重写,是立于创作主旨和时代精神的不同,顺应了小说表达主题的需要。
Although there are images of Wu Song both in The Golden Lotus and Water Margin,the two have great differences.Wu Song is one of the main characters in the Water Margin.The author is committed to shaping his tall and brilliant hero image.However,Wu Song is no longer the protagonist in The Golden Lotus,and the author does not intend to express his heroic character.In addition,in the plot arrangement,Wu Song’s heroic deeds have been greatly deleted.The rewriting of Wu song’s image in the Water Margin by The Golden Lotus is based on the difference between their creative main idea and the spirit of the times,and meets the needs of the theme expressed in the novel.
出处
《淮北职业技术学院学报》
2020年第1期96-99,共4页
Journal of Huaibei Vocational and Technical College
关键词
《金瓶梅》
《水浒传》
武松形象
重写原因
The Golden Lotus
Water Margin
image of Wu Song
the reason to rewrite
作者简介
杨婵娟(1992-),女,陕西兴平人,中国古代文学专业2017级硕士研究生,研究方向:元明清文学.
