摘要
以扬州剪纸图像演进脉络为文本,通过造型、题材、功能等方面的"时尚"解读,试图厘清扬州剪纸在不断嬗变过程和结果中的"追风"逻辑,并基于文化人类学的"功能"相关理论框架,阐释"追风"行为的一般社会规律性.最终试图从技艺本体、社会表征、社会指向三方面,揭示现代扬州剪纸的时尚及其演变缘由.
Taking the image evolution of Yangzhou paper-cutting as the text,through the"fashion"interpretation of shape,theme,function,trying to clarify the"zhuifeng"logic of Yangzhou paper-cutting in the constantly changing process and result,and on the basis of"function"relevant theoretical framework of cultural anthropology,the paper interprets the general social regularity about the behavior of"zhuifeng".Finally,trying to reveal the fashion of modern Yangzhou paper-cutting and its evolution from three aspects,namely,art noumenon,social representation and social orientation.
作者
李成
LI Cheng(College of Fine Arts and Design,Yangzhou University,Yangzhou 225009,China)
出处
《通化师范学院学报》
2020年第3期42-48,共7页
Journal of Tonghua Normal University
基金
2019年扬州大学大学生科创基金项目(X20190973)。
关键词
扬州剪纸
时尚性
人类学
功能
Yangzhou paper-cutting
fashionability
anthropology
function
作者简介
李成,女,江苏宿迁入,扬州大学美术与设计学院硕士研究生,研究方向:装饰画与传统手工艺。(江苏扬州225009)。
