摘要
本文从日据时代及民间研究会开始,概括讨论中国台湾地区戏剧文化以及戏剧研究的发展变化。中国台湾地区戏剧学术的建制化与专业化主要形成于1990年以后,随着新一代学者从欧美返国,他们把西方的学术成规以及要求落实到本土。文章从中国戏剧、西方戏剧、现代戏剧、戏剧史书写、实践发展与理论互射、学术理论话语演变等方面对每一个时期进行细致的介绍。除了对体制内的变迁进行关注之外,也对学术体制外的评论进行了梳理。
This article discusses the development and changes of theatre culture and theatre research in Taiwan Region from the Japanese occupation period by non-government research societies.The institutionalization and specialization of Taiwan Region’s theatre academy mainly came into being after 1990.A new generation of scholars put the western academic norms and requirements into practice in Taiwan Region when they returned from Europe and the United States.This article makes a detailed introduction to each period from the aspects of Chinese theatre,western theatre,modern theatre,writing on theatre history,mutual reflection of practice and theory,evolution of academic theory discourse,etc.It not only focuses on the changes within the system,but also combs the comments outside the academic system.
作者
王林彤
白如金
Wang Lintong;Bai Rujin
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2019年第6期140-151,共12页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金艺术学重大项目“戏曲剧本创作现状、问题与对策研究”(项目编号:16ZD03)的阶段性成果。
关键词
中国台湾地区戏剧学术
中国台湾地区小剧场运动
中国台湾地区戏剧史
戏剧
研究
西潮
Taiwan Region theatre academy
Taiwan Region little theater movement
Taiwan Region theatre history
theatre research
Tides from the West
作者简介
王林彤,辽宁师范大学影视艺术学院副教授;白如金,上海交通大学媒体与传播学院博士研究生。
