摘要
有感于中国电影理论自身建设的薄弱,在以传统诗词美学来创建“赋比兴电影理论”之后,为响应近年来“中国艺术传统与当代中国电影的创新发展”,全力探索电影理论的中国学派,继“赋比兴电影理论”之后,文章尝试建立“易电影理论”。
In view of the weak construction of Chinese film theory,the author has created a“film theory based on artistic expressions of Fu-Bi-Xing”by referring to the traditional Chinese aesthetics of poetry in response to the appeal of“the innovation and development of the traditional Chinese arts and contemporary Chinese films”in recent years.Therefore,this essay attempts to create a“film theory based on I Ching”to fully explore Chinese academic schools in film theories.
作者
刘成汉
LIU Chenghan(Academy of Film,Hong Kong Baptist University,Kowloon,Hong Kong,999077)
出处
《贵州大学学报（艺术版）》
2020年第1期37-43,共7页
Journal of Guizhou University Art Edition
关键词
赋比兴
易
电影理论
artistic expressions of Fu-Bi-Xing
I Ching
film theory
作者简介
刘成汉,香港导演,电影学者,曾任香港演艺电影电视学院监制编导系主任,浸会大学影视学院兼职教授。
