摘要
精神分析美学脱胎于西格蒙德·弗洛伊德的精神分析理论。从最初运用精神分析理论来解读艺术创作活动到对艺术家创作动机的考察和对作品主题和审美的深入解析,弗洛伊德在其理论中逐渐形成了独属于精神分析领域的美学观并影响深远。20世纪现代艺术的代表"超现实主义"正是从弗洛伊德的精神分析美学理论中汲取营养,并用于艺术创作来实现表达自我与认识世界的方式。此后,精神分析法作为一种方法已经成为解决艺术家的创作和解读艺术作品题材与内容、观众与作品关系的重要手段。
Psychoanalytic aesthetics originates from sigmund Freud’s psychoanalytic theory. From the initial application of psychoanalytic theory to the interpretation of artistic creation,to the investigation of artists’ creation motivation and the in-depth analysis of the theme and aesthetics of works,Freud gradually formed an aesthetic concept that belongs exclusively to the field of psychoanalysis and had a far-reaching impact. " Surrealism",the representative of modern art in the 20 th century,draws nourishment from Freud’s psychoanalytic aesthetic theory and uses it in artistic creation to realize self-expression and understanding of the world. Psychoanalysis,as a method,has become an important means to solve the problem of artists’ creation and interpretation of the theme and content of artistic works and the relationship between the audience and the works.
作者
沈文婷
樊波
SHEN Wen-ting;FAN Bo(Academy of Fine Arts,Nanjing Univeristy of Atrs,Nanjing,Jiangsu 210013)
出处
《艺术百家》
CSSCI
北大核心
2019年第5期185-192,共8页
Hundred Schools In Arts
作者简介
沈文婷(1985—),女,汉,江苏盐城人,南京艺术学院艺术学博士。研究方向:书画美学;樊波(1957-),男,汉,江苏南京人,北京大学哲学(美学)硕士,中国社会科学院哲学(艺术美学)博士,南京艺术学院美术学院教授,博士生导师,江苏省美学学会副会长,江苏省美术家协会理论委员会秘书长兼副主任。研究方向:书画美学,中国美术史。
