摘要
旅游美学的实践价值,在于有效指导旅游地资源审美潜力的开发,提供能够满足不同审美需求的审美客体。从旅游审美的生成、构成、过程及旅游的大众休闲归属来看,旅游审美客体的结构应该以感官特征为基础,以历史文化为过渡,以精神蕴含为升华。以这种方式整合湖南汨罗现存的屈原文化资源,就形成了以探源屈原精神、乐享生态民俗为主题的屈子祠旅游审美金字塔结构。这个结构用自然景观、民俗活动、地方餐饮引发的感官和情感愉悦,调节屈原文化的悲感倾向与理性色彩,在确保传承屈原精神和祭屈民俗的同时,满足多数游客敬仰屈原却不愿承受过多凝重思绪的审美需要。
To develop the aesthetic potentialities of tourism resort and provide tourists with a tourism object could satisfy different aesthetic demands, and is the practical value of tourism aesthetics. According to the process of tourism aesthetic appreciation and the leisured property of tourism, the structure of a tourism aesthetics object should be based on the sensory characters of tourism resources, transited by historical and cultural implicature from them and put tourists' spiritual comprehending about the tourism objects on its top. So, the tourism aesthetics object of Miluo Memorial Temple for Qu Yuan should be a pyramid structure on the theme of tracing Qu Yuan's spirit and enjoying the folk customs of Miluo. This structure could be used to adjust the tragic tendency from Qu Yuan's experiences to tourists' pursuing of relaxing while Qu Yuan's spirit and the folk customs would be inherited originally.
作者
胡睿臻
任远
HU Ruizhen;REN Yuan(College of Chinese Language and Literature,Hunan Institute of Science and Technology, Yueyang 414006, China;Miluo Memorial Hall for Qu Yuan, Miluo 414400, China)
出处
《云梦学刊》
2019年第5期33-39,共7页
Journal of Yunmeng
基金
湖南省社会科学基金项目“汨罗屈原文化旅游审美客体体系建构研究”(16JD29)
湖南省社会科学评审委基金项目“汨罗屈原文化的旅游审美传承研究”(XSP18YBC069)
关键词
汨罗
屈子祠
旅游审美
审美客体
Miluo
Memorial Temple for Qu Yuan
tourism aesthetics
aesthetics object
作者简介
胡睿臻,男,甘肃秦安人,湖南理工学院中国语言文学学院讲师,文学博士;任远,女,湖南汨罗人,汨罗屈原纪念馆助理馆员。
