摘要
审美投射是播音个性化创作的重要心理机制。审美投射既为主体提供可感的主观形式,又因为这种“感”是一种特殊的语感而具有了构建声音的依据。播音创作中的审美投射心理步骤可以分解为:声音形式的听觉期待——形成预成图式——图式投射——图式修正——图式匹配。这显然不只是一个心理投射动作,而是形成了一套完整的心理运行机制,而这个机制是播音创作质量的关键。在播音个性化创作中,一方面,“预成图式”不是一次完成的,主体需要突破以个人已有知识经验为基础的初始“预成图式”,创造新鮮的图式;另一方面,对图式的“修正一匹配”过程需要突破自我技术手段的陈规,从真实情感出发去发现和创造个性化的新鮮图式。
Aesthetic projection is an important psychological mechanism in individualized creation of broadcasting.It provide the subject with a sensible subjective form as well as a basis for the construction of sound because this sense is a special kind of tongue sensibility.The psychological process of aesthetic projection in broadcasting creation follows the following steps:auditory expectation of sound form,formation of a schemata,schemata projection,schemata correction,and schemata matching.Obviously,this is not simply a psychological projection,but a whole set of psychological projection mechanism,which is the key to good quality of the broadcasting creation.In individual creation,a schema is not completed at one time;the subject needs to break through its initial schema based on existing knowledge to form a fresh schema.Moreover,the“correcting and matching”of a schema involves a breakthrough of the stereotype of one's own technical skills so as to discover and form individualized fresh schema out of real emotions.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2019年第3期151-156,共6页
Journal of Social Science of Hunan Normal University
基金
湖南省哲学社会科学规划项目“基于心理学视域的播音创作个性化研究”(16YBA076)
关键词
审美投射
预成图式
修正
匹配
语感
个性化
aesthetic projection
schema
correction
matching
tongue sensibility
individualization
作者简介
陈竹,湖南大学新闻传播与影视艺术学院副教授,硕士生导师,湖南大学外国语学院博士研究生,英国威斯敏斯特大学访问学者(湖南长沙410082).
