摘要
从《桃花源记》到《五柳先生传》,陶渊明笔下的隐者形象发着较大的变化,这不仅表现为隐者隐逸程度,苦隐形象的深化,更表现为其异化程度的加强。这种深化与加强,对应着作者不同的创作时期,也对应着作者不同的创作目的和动机,同时也反映了作者寄寓在不同类型的隐逸形象身上的不同理想。
From“Peach Blossom Spring”to“Mr.Wu Liu's Biography”,Tao Yuanming's image of hermit has changed a lot.This has not only shown in the extent of reclusion and the furtherance of the bitter solitude image,but also in aggravation of the dissimulation compared to the other people.Those changes have demonstrated the author's different periods of creation,as well as the author's different purposes and motivations.At the same time,it reflects the author's diverse ideals of various hermit images in which he placed in his works.
作者
吴文琪
吴春生
WU Wen-qi;WU Chun-sheng(School of Literature,Minnan Normal University,Zhangzhou 363000,Fujian,China;School of Literature and Media,Xingyi Normal University for Nationalities,Xingyi 562400,Guizhou,China)
出处
《黔南民族师范学院学报》
2018年第3期40-44,共5页
Journal of Qiannan Normal University for Nationalities
关键词
陶渊明
《桃花源记》
《五柳先生传》
隐者
Tao Yuanming
“Peach Blossom Spring”
“Mr.Wu Liu's Biography”
the image of the hermit
作者简介
吴文琪(1993—),女,福建漳州人,硕士生,研究方向:中国古代文学。;吴春生(1975—),男,安徽宿州人,博士,副教授,研究方向:古代汉语。
