摘要
文章从"地态"、"心态"、"史态"、"语态"、"乐态"辩证关系入手,沿着我国旋律构成的民族性、调式调性的特殊性、节奏腔式的戏剧性和结构的多样性等四个方面,剖析了湖北民歌对于人物性格、思想情感和地方风味的细腻、形象而独特的表现。
From the dialectic relationship among the “region”, “mentality”, “history”,“voice”, and“music”, along the four aspects of the national character composed by melody, the particularity of the modes and tonality, dramatic of rhythm and tune- mode, and diversity of structure, this paper analyzed Hubei folk songs with its delicate, image and unique of performance on characterization of figure, thoughts and feelings, and the local flavor style.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2016年第3期48-60,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
湖北民歌
三音列
三原色
扬调
屈调
Hubei folk song
three notes tune
three- primary colours
Yang- tune
Qutune
作者简介
刘正维，男，武汉音乐学院音乐学系教授（武汉430060）。
