摘要
陈旭光提出的"电影工业美学"概念是近年来针对中国电影进入新时代、面临新机遇、迎接新挑战的一个重要的理论命题。它是一种悬拟的批评方法,成体系地论述了中国电影所面临的问题与突破的可能。但它也是一个综合的、中间层面的、妥协的、折中的理论命题,缺乏清晰的研究对象和研究范围。文章对这一概念提出批评,并试图对这一概念的内容进行更为丰富的补充。
The concept of "film industry aesthetics"put forward by Chen Xuguang is an important theoretical proposition in recent years aiming at the new era,new opportunities and new challenges of Chinese films. It is a suspense method of criticism,which systematically discusses the problems faced by Chinese films and the possibility of breakthrough. But it is also a comprehensive,intermediate,compromised and eclectic theoretical proposition,lacking clear research object and scope. The article criticizes this concept and tries to make a richer supplement to the content of the concept.
出处
《浙江传媒学院学报》
2018年第4期93-98,145,共7页
Journal of Zhejiang University of Media & Communications
