摘要
环境美学从美学内部革新的层面促成了自然作为审美对象的复归,这奠定了环境成为审美对象的重要基础。环境作为审美对象的生成,经历了一个自然风景审美——自然环境审美——人类环境审美的过程。环境美学将传统的自然风景审美延展为自然环境审美,在这种视野下,自然审美不仅仅关注自然环境中的"风景",而且也关注普通的自然环境。随着环境美学对日常生活与美学结合的推动力日趋明显,其研究对象由自然环境转为人类环境,从而推动了作为整体的人类环境审美的生成。
Environmental aesthetics promotes the return of nature as an aesthetic object from the perspective of the internal innovation of aesthetics,which lays an important foundation for the environment to become an aesthetic object. As the generation of aesthetic objects,the environment has experienced a process of aesthetics-from natural landscape to natural environment,and to human environment. Environmental aesthetics extends the traditional natural landscape aesthetics to the aesthetics of the natural environment. In this perspective,natural aesthetics is not only concerned with the " landscape" in the natural environment,but also with the ordinary natural environment. As environmental aesthetics plays an increasingly important role of promotion in the combination of daily life and aesthetics,its research object has shifted from a natural environment to a human environment,which has promoted the generation of human environment aesthetics as a whole.
出处
《郑州大学学报（哲学社会科学版）》
CSSCI
北大核心
2018年第3期5-9,共5页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
基金
国家社科基金重大项目"中国古代环境美学史研究"(课题编号:13&ZDO72)
作者简介
陈国雄（1977-），男，湖南新化人，哲学博士，中南大学文学与新闻传播学院副教授，硕士生导师，主要研究方向：中国美学史与环境美学；;刘佳颖（1995-），女，湖南邵阳人，中南大学文学与新闻传播学院美学专业硕士研究生。
