摘要
作为明代"后七子"之一的宗臣,在诗歌创作方面明显受到李白的影响。其追摹李白的原因既有取法乎上的艺术追求、李白人格的持久吸引,也有二人诗学理论较为一致等因素。其追摹的方式主要表现在对李白诗歌创作题材、意象的有意贴近,对李白诗歌句式、措词与修辞的着力模仿等方面。通过对李白的学习,宗臣极大地增加了自己诗歌创作方面的灵动性,但这种模拟有时难免落入窠臼,显露出着意用力的痕迹。通过分析宗臣师法李白的原因、方式、创获以及不足等方面,能够为研究明代的李白诗歌接受情况提供新的样本。
As one of the ＂later seven talents＂ of the Ming Dynasty, Zong Chen was influenced by Li Bai＇ s poems. Zong Chen＇ s pursuit Li Bai was artistic, attracted by Li Bai＇s personal charisma, and following similar poetic theories. His pursuit was mainly expressed by imitating the themes and images of Li Bai＇s poems and simulating his sentence patterns, language and rhetoric. By learning from Li Bai＇s poems, Zong Chen greatly increased the flexibility in his poetic creation. This kind of learning, however, was sometimes hard to avoid falling into the set pattern.
作者
高璐
GAO Lu(College of Chinese Literature, Lanzhou University, Lanzhou ,Gansu, 73000)
出处
《新疆大学学报（哲学社会科学版）》
CSSCI
2018年第2期105-113,共9页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
兰州大学中央高校基本科研业务费自由探索项目"明代诏狱制度与文人精神"(15LZUJBWZY002)
关键词
明代文学
后七子
宗臣
李白
文学接受
Ming Dynasty
Zong Chen
Li Bai
Literary Embracement
Poetry
作者简介
高璐（1984-），女，陕西榆林人，文学博士，兰州大学文学院讲师，从事明代文学研究。
