摘要
起源于新纪元运动的新世纪音乐在表现民族性格方面,具有其他音乐流派不具有的天然接近性优势,其从创作之初,就是与少数民族在一起的。而作为"乐器之王"的钢琴,以其在88个键上所展现的广袤的音域,丰富的情绪表达和无与伦比的歌唱性,桥接了东西方少数民族乐器与人声伴奏,当之无愧地成为了不少新世纪音乐家首选的主奏乐器或配器。新世纪钢琴音乐的发展,在一定程度上能够反映少数民族音乐现代化的趋势和取向。近年来,中国新世纪钢琴音乐佳作层出,体现了在地原生性、诗性及哲思性等少数民族音乐性格特征,具有较为重要的研究价值。
The new century music originating from the new age movement has an advantage of natural proximity that other music schools ＂don＇ t have in expressing national character, especially the unique character and life state of minority nationalities. It grows with-the ethnic minority from the beginning of the creation. The piano bridges ethnic Musical Instruments and vocal accompaniment of the east and the west as ＂the king of Musical Instruments by its wide range and rich emotional expression expressed on 88 key. It has become the first musical instrument or orchestrate for many new century musicians. The development of the new century music can reflect the trend and orientation of music modernization of minority music in a certain extent. In recent years, China＇s new century piano music has produced outstanding works continuously that embody the nature, poetic and philosophical characteristics of ethnic minorities in China. It has important research value.
出处
《贵州民族研究》
CSSCI
北大核心
2018年第1期118-121,共4页
Guizhou Ethnic Studies
作者简介
周晓凡（1969-），女，福建泉州人，泉州师范学院音乐与舞蹈学院副教授，研究方向：钢琴教育。
