摘要
比较艺术学是在当下世界文化碰撞、交流和融汇的过程中产生的新兴学科。站在各类艺术载体的巅峰处,以一种比较的视线俯视印象主义和抽象主义中绘画与音乐间的融通性,让两种艺术载体从异质中寻求"通感"。本文运用通感理论和比较艺术学的研究方法,从艺术作品的赏析中探讨绘画与音乐之间的关系,寻求作品更高的艺术表现力,让读者体会"交响音画般"的共振之感。
Comparative art is a new discipline that emerged during the process of world culture collision,communication and integration. In this paper, the combination between painting and music in comparative impressionism and abstractism is overlooked in a line of sight, and the two art carriers aim to seek for the ＂synaesthesia＂ from the heterogeneous medium by standing at the pinnacle of all kinds of art. In addition, the synaesthesia theory and comparative art research methods are adopted to explore the relationship between painting and music from the appreciation of works, in order to seek a higher artistic expression of the work, and enable readers to experience ＂symphonic-like＂ resonance.
出处
《赤峰学院学报（哲学社会科学版）》
2018年第2期110-112,共3页
Journal of Chifeng University：Philosophy and Social Science Chinese Edition
基金
2016年度玉林师范学院科研项目<从比较艺术学的视域下研究音乐与绘画在"色调"上的共通性>(2016YJKY11)阶段性成果之一
关键词
比较艺术学
通感
印象主义
抽象主义
Comparative art
Synaesthesia
Impressionism
Abstractism
