摘要
山本宪所著《燕山楚水纪游》被誉为明治时代三大汉文体中国游记之一。山本的中国之行使其获得了一次对文化记忆中的"诗意中国"进行现场体验的机会,但吊诡的是他首先形成的却是"脏乱、贪婪、沉迷、虚饰"的现实中国印象。进而,山本从甲午战后的东亚时势论、中国制度改革论、中日两国儒教论等方面提出了需对中国进行"外科手术"的改革论调,凸显了山本对中国文化的断裂式、停滞化认知。通过对山本文本之外的中国观的梳理可知,"排宋推汉"是在文化层面解构传统东亚秩序的理论话语,"提携同仇"是在政治层面重构东亚新秩序的现实构想,而山本宪思维中强固的"日本中心主义",方是规定其中国观的主体性要素。
'The travel note of Yan Mountain & Chu River'written by Yamamoto Ken was hailed as one of the three travel notes of China in Chinese style during Meiji Period.Yamamoto formed a 'dirty,greed,obsession,ostentation'impression of China at first,and then he put forward a motion that China need a complete reform,which reflected the fragmentation and stagnation of Yamamoto's cognition of Chinese culture.By means of organizing Yamamoto's Chinese cognition besides the text,we can find that 'excluding Song and esteeming for Han'was the theoretic expression for the deconstruction of the tradition system in East Asian from the aspect of culture,while'carrying with hatred'was the realistic concept of the reconstitution of a new system in East Asia in political.Yet'Japanocentrism'rooting in Yamamoto's thought deeply was the principal element shaping his Chinese cognition.
出处
《外国问题研究》
2017年第2期51-57,共7页
FOREIGN HISTORY STUDIES
基金
国家社科基金青年项目"明治时期日本人的中国调查与对华傲慢端倪研究"(编号:14CSS003)
中央高校基本科研业务费专项基金项目"近代日本的东亚秩序构想与对外行动研究"(编号:16QT003)
东北师范大学哲学社会科学校内青年基金项目"‘诗意中国’与‘实像中国’的纠葛:20世纪初日本知识人的中国体验"(编号:13QN014)
作者简介
胡天舒（1982-），女，吉林舒兰人，东北师范大学历史文化学院讲师。
