摘要
1644年明朝灭亡,对于像傅山这样的儒者来说是毁灭性的打击。一来要他们要为衣食而忧,二来改换门庭后的傅山失去了精神的寄托,找不到自我身份定位。加之他拒绝参加博学鸿儒"恩科",经济条件急转直下。由于生活没有着落,他的交往和应酬均带有极强的谋生色彩,情急之下的傅山甚至动过从商的念头,不得不通过鬻书卖画、行医等方式治生。傅山主要面临的尴尬在于如何看待治生之道,书画自古被视为文人遣兴排志的雅好,他以此谋生面临着巨大的舆论压力。
The Ming Dynasty came to an end in 1644, which was devastating to scholars such as Fu Shan. First, they had to worry about food and clothing. Secondly, Fu Shan lost spiritual sustenance after the change over, and could not find his identity.What's more, he refused to attend the learned scholars 'Enke',so his economic conditions met a sudden turn for the worse.Because his life was not settled, his contacts and communications was with a strong color of making a living. In desperate situation,Fu Shan even had the idea of doing business, so he made a living by selling calligraphies and paintings, and by being a doctor. Fu Shan's main awkwardness was how to look at ways of making a living, since calligraphy and painting were seeing as elegant entertainment to dispel thoughts and wills by literati since the ancient times, he faced great pressure from the public opinion.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2017年第3期34-39,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2016教育部人文社会科学研究项目"十七世纪以来文人情结与书画商业文化博弈研究"阶段性成果(16YJC760078.)
关键词
傅山
治生
鬻书卖画
身份
Fu Shan
make a living
selling calligraphy and painting
idendity
作者简介
郑付忠（1982-）,山东人,长沙师范学院书法系讲师,研究方向：美术史论.
