摘要
运用文献资料法和田野调查法,从武术与戏曲结合的历史梳理入手,对沧州武术戏的起源和原初形态进行考察,总结了其原初形态的艺术特征。进而指出,侠义精神是武术戏推崇和宣扬的重要价值取向;沧州尚武的地缘文化造就了武术戏戏武结合重在武的形式特征;在唱腔与乐器配置、服装与器械使用、递帖与剧目搬演、互动与传承方式等方面都展现出浓郁的武术文化气息和历史印痕。
Using the method of literature and field investigation,this paper starts from combing the history of the combination of Wushu and opera,examines the origin and original form of the Cangzhou Wushu opera,and summarizes the artistic characteristics of its original form.And then it points out that the chivalrous spirit is an important value orientation that Wushu opera respects and promotes;Cangzhou＇s geo-culture of martial spirit has leaded Wushu opera into a form feature of combining Wushu with opera and emphasizing Wushu.A strong Wushu culture and historical imprint can be seen in the music for voices in opera and instrument configuration,costume and equipment use,performance invitation letter and opera performance,interactive and inheritance methods.
出处
《河北体育学院学报》
2017年第2期82-86,共5页
Journal of Hebei Sport University
基金
天津市哲学社会科学研究规划项目(TJTY16-011)
天津市高校"中青年骨干创新人才培养计划"项目
关键词
民间文化
传承
武术戏
沧州
侠义精神
folk culture
inheritance
Wushu opera
Cangzhou
chivalrous spirit
作者简介
王少宁（1982-），男，河北沧州人，讲师，硕士，研究方向为武术理论与方法。
通讯作者：解乒乒（1973-），女，江苏扬州人，副教授，博士，研究方向为民俗体育理论与方法。
