摘要
2015年年初,余秀华凭借《穿过大半个中国去睡你》的诗一夜爆红,可谓是微信圈捧红的第一位诗人。余秀华的走红与传统诗人的成名路径完全不同,它依赖于微信、微博等典型的自媒体平台,甚至于为余秀华事件推波助澜的沈睿和沈浩波之间的论争也是发端于微博。从余秀华的走红可以发现自媒体时代诗人成名的典型症候,"农妇""脑瘫""诗人"这些词语的反差背后构成了消费时代的媒体奇观,网络媒介和传统媒体共同设置的新闻议程与公众的审美需求之间达成的某种共谋。
At the beginning of 2015, Yu Xiuhua became popular overnight with Through half of China tofuck you. She is the first poet to be popular by WeChat. Yu Xiuhua＇ s popularity is totally different from traditional writer＇ s path to fame. It relies on WeChat, micro-blog, and other typical We-Media platform , even the controversy between Shen Rui and Shen Haobo is originated from microblog. Some typical symptoms of poet in We-Media era can be found from the popularity of Yu Xiuhua. The contrast between ＂ farm woman＂ ,＂cerebral palsy＂ and ＂poet＂ constitutes a media spectacle of the consumer era. Some kind of conspiracy was reached by public＇ s aesthetic needs and the news agenda set up by We-Media and traditional media .
出处
《南昌航空大学学报（社会科学版）》
2017年第1期61-69,共9页
Journal of Nanchang Hangkong University(Social Sciences)
基金
2015年教育部人文社会科学研究青年基金"中国当代文学在东欧的传播与接受研究"(15YJC751004)
作者简介
陈立峰（1978-），男，江西贵溪人，讲师，博士。主要研究方向：文学理论及跨文化研究。
