摘要
乾隆御容佛像现存世仅七幅,其中三幅藏于故宫,是集宗教、艺术、工艺、科技信息于一身的珍贵文化遗产。故宫博物院藏《清人画乾隆帝普宁寺佛装像》就是其中一件。本文详细介绍此幅唐卡的历史信息、保存条件、陈列环境、保护情况,利用病害分布图对折痕、颜料脱落、缝线松散和缝线开裂、装衬织物褶皱和饰件脱落等病害情况进行描述,其病害原因包括内在因素和外在因素。并且围绕保存保管、保护修复、陈列展览和保存环境监控提出科学建议:订制专门的多层抽屉式储存柜,确保画面朝上展开平放保存和陈列,设计透明视窗便于观察;建立完整翔实的保护修复档案,在充分科学研究和模拟试验的基础上确定修复保护方案,定期跟踪调查,评估修复效果;在保存、修复、展示过程中均应实施环境监控,保持适宜且恒定的温度、湿度、照度,避免紫外线照射。
Only seven portraits showing the Qianlong Emperor as bodhisattva have survived to today and three are now in the Palace Museum in Beijing. They are cultural heritage of religious, artistic, scientific and technological significance. This paper is an introduction of the history, preservation conditions, display environment and conservation of the Portrait of Qianlong in Buddhist Attire at Puning Temple（thangka, Palace Museum in Beijing）. Creases, losses of pigments, loose or breaking sutures, framed fabric folds and losses of decorations are described in the form of diseases map. The diseases are caused by internal and external factors. Scientific suggestions are given for the preservation, restoration, exhibition and environment monitoring. Special multi-drawer cases with transparent windows should be made to ensure that the picture is put faceup, flat and unfolded. Complete and detailed conservation archives are required for outlining conservation schemes based on sufficient scientific researches and simulation tests. The conservation should be tracked regularly to evaluate the effect of repair. Environment monitoring is necessary during preservation, restoration and displaying process, including keeping appropriate and constant temperature, humidity and illumination and avoiding exposure in ultraviolet light.
作者
张蕊
方小济
宋纪蓉
Zhang Rui Fang Xiaoji SongJirong
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2016年第9期149-156,共8页
Journal of National Museum of China
关键词
乾隆
佛装像
唐卡
保存现状
Emperor Qianlong
portrait of Buddhist attire
thangka
preservation condition
