摘要
自1684年开放海禁以来,为外国文化和艺术进入中原与内廷打开了方便之门。清代广式家具吸收外来文化,在形制、造型、结构、装饰等方面出现了新的变化。民国时期广州引进了大量国外家具,旋木腿和旋木柱也是与当时的西式建筑大量兴建有关。本文通过研究清代至民国时期的广式家具发展状况及其椅具的品种和风格特点,继而分析受岭南文化影响下的广式家具特征,探讨现代广式家具可持续发展的创新点。
Since the ban on maritime trades were removed in 1684, it has been more convenient for foreign cultures and arts to be introduced into the Central Plains and the imperial palaces. The Cantonese-style furniture in Qing Dynasty integrated foreign cultures which engendered changes in shapes, appearances, structures and decorations. In Republic of China period, numerous overseas furniture was introduced into Guangzhou. Rotating wooden legs and rotating wooden pillars resulted from the large-scale construction of Western-style architectures. The thesis through explores development status, varieties and characteristics of Cantonese-style furniture from Qing Dynasty to the period of the Republic of China, followed by an analysis of the Cantonese-style furniture characteristics under the influence of Lingnan culture, to explore the innovation of sustainable development of modern Cantonese-style furniture.
出处
《家具与室内装饰》
2016年第7期22-23,共2页
Furniture & Interior Design
关键词
清代
民国时期
广式家具
椅具
岭南文化
Qing dynasty
The period of the Republic of China
Cantonese-style furniture
Chairs
Lingnan culture
作者简介
郑为时（1990-）,女，硕士研究生，研究方向：美术与设计关系。E-mail：1042338@qq.com
