摘要
查尔斯·奥尔森的《人类宇宙》是一部从哲学层面展开的后现代诗学经典。作者痛感于逻格斯传统带来的文明畸态,主张激活苏美尔、玛雅等远古文化,恢复人类宇宙与自然宇宙的交互关系。具体在诗歌领域,就是要推翻以艾略特为代表的智性写作,拒绝理性与逻辑对艺术创造的侵蚀,凭借即兴的诗歌书写来传递生命感觉、投射宇宙能量。《人类宇宙》为投射诗学的理论建构、黑山诗派的创作实践提供了重要的哲学基石和思想源泉,有力推动了"二战"后美国诗歌向后现代主义的转向。
Charles Olson＇s Human Universe,developed from the philosophical aspect,is a classic of the post-modern poetics. The author,suffering from the abnormal civilization caused by the Logos,advocates to activate the ancient cultures of Sumerian and Mayan to restore the interaction between human and nature. In the field of poetry,he advocates to overthrow the intellectual writing represented by Eliot,to reject the erosion of reason and logic to artistic creation,and to convey the feeling of life and project universal energy through improvised poetry writing. Human Universe provides a philosophical foundation and source of ideas for the theoretical construction of the Projective Poetics and the creation practice of the Black Mountain School,pushing the American poetry to post-modernism after the Second World War.
出处
《外国语文》
北大核心
2016年第3期25-29,共5页
Foreign Languages and Literature
基金
国家社会科学基金青年项目"美国后现代诗歌与中国第三代诗歌比较研究"(11CWW004)阶段性成果之一
作者简介
尚婷，女，太原师范学院外语系副教授，硕士，主要从事英美诗歌研究。
