摘要
"润腔"一词,作为学术研究主题,学界已有较多学者、学友写过与之相关的论文。而从学科的建设与发展的角度来看,我们更应规范、严谨地对待这一学术术语。但总体来说,以往的文献综述就前人在润腔表述上的异同往往一笔带过,缺乏较为系统的分析与探讨。笔者在此,尝试从资料梳理读解方面展开讨论,除了对"润腔"一般理论的研究及中国传统声乐中的"润腔"运用研究进行文献分类梳理外,还尝试分析不同学者对润腔看法的异同,以图为今后的继续研究打下基础。
As an academic research subject, many scholars and schoolmates in this field has published the relevant papers about ＂Run Qiang＂. In the perspective of discipline construction and development, we should take a rigorous and standard attitude to this academic term. In general, the previous literature reviews always glance at the expression difference of Run Qiang, which lack systematical analysis and discussion. So the author attempts to have a discussion on materials＇ arrangement and interpretation, not only unscrambles the literature on Run Qiang＇s general theory research and its application in China＇s traditional vocal music, but also tries to analysis the similarities and differences of scholar＇s opinions on Run Qiang so as to lay a foundation for the future research.
出处
《内蒙古大学艺术学院学报》
2016年第1期80-87,共8页
Journal of Art College of Inner Mongolia University
关键词
润腔
分类
功能
用腔
音腔
Run Qiang
classification
function
use of Qiang
Yin Qiang
作者简介
郭茹心（1994-），女，浙江省衢州市人，上海音乐学院音乐学系，2012级本科生。
