摘要
20世纪60年代,接受美学主要理论家和后结构主义者都向传统的文论观念提出质疑,关注被传统研究忽略的地方——"读者"。两者的理论基础是相同的,但是由于持不同的意义观,他们的读者观也存在诸多重要的区别,主要体现在读者的阅读方式、存在方式以及与作者的不同关系之上。接受美学理论家坚持一定程度上的意义的确定性,属于自笛卡尔、康德以来的现代哲学和文论的系统,而后结构主义者则属于一个全新的话语体系,成为席卷西方的后现代主义思潮的重要一环。
In the 1960s, ism questioned the traditional the main theorists of the reception aesthetics and those of the post - structural- literary theory and concerned about what they ignored, i.e. the readership. However, due to the different views of meaning, both views of readership embodied many important differences, which consisted in the modes of reading and existence of the reader and its relationship with the author. Jauss thinks that the reader is always concrete, practical, and meets with the text in the hying history; Barthes takes the reader as a part of the reading game and regarded him as a channel to the text itself; Iser stresses that the writer and the reader is in the relations of cooperation in which the author creates the text, and the readers need to use imagination to enrich themselves and finally creates the work.
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2015年第6期142-145,共4页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
江苏省社会科学基金后期资助项目(14HQ015)
关键词
尧斯
伊瑟尔
巴特
读者观
Jauss
Iser
Barthes
view of readership
作者简介
张同铸（1975-），男，江苏淮安人，博士，副教授，主要从事西方当代文艺理论、民间宗教与民间文艺学研究。
