摘要
宋代篆书向来少被人提及,本文通过大量的资料钩沉梳理,对宋代篆书在继承中的变异现象分类研究,认为应对宋代篆书本身的历史地位和价值予以客观公正的评价:第一,宋代继承了前代篆书特别是"二李"小篆的风格而有所变异,形成了自己的特色;第二,宋人重新发掘了大篆的艺术价值,形成了独具神秘装饰性变异色彩的大篆(古文)书写样式;第三,宋人开始强调篆书的书写性变异,一些书家如米芾等重视用笔和结体的变化,开启了篆书书写抒情化的道路。宋代篆书在继承中有所变异或率性求变的独特风貌,为篆书的融通增添了新的样式和生机,也为后人的创作带来了新的启发。此外,宋代篆书拥有一个人数不少的书家创作群,保证了篆书在此后三百多年的传承和发展,把宋代篆书看作一个承前启后的阶段应当是不为过的。
Seal script of the Song dynasty has attracted little attention among scholars. The current author reviews extensive historical documents to explore variations of seal script in the Song dynasty and makes fair comments on the historical value of Song dynasty seal script. Song seal script is largely a continuation of previous seal script,especially that represented by Li Si and Li Yangbing,with distinct style of its own. Song calligraphers,who rediscovered the artistic value of large seal script [dazhuan],developed a mysterious decorative script,which is regarded as a variation of large seal script. With more emphasis on variations of strokes,some calligraphers,including Mi Fu,pioneered an emotional presentation of seal script through the modification of strokes and structure. Innovations during the Song had vitalized the seal script and inspired calligraphers in later generations. A group of creative seal script calligraphers active during the Song guaranteed the continued development of seal script in the following 300 years. Therefore,it is justifiable to regard Song dynasty as an important stage for the development of seal script.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2015年第10期94-104,共11页
Journal of National Museum of China
关键词
金石学
尚意书风
大篆(古文)
小篆
Epigraphy
free expression
large seal script
small seal script
