摘要
从20世纪初到80年代末,中国美学研究基本上属于西方主体理性美学范式。随着中国市场经济的不断发展,大众文化的日益崛起,艺术与生活的边界不断模糊,中国美学研究需要突围,其关键在于让美学回归感性与生活。美学研究回归感性经验,是美学学科的本有之义,也是审美活动的应有之义,并与中国传统"天人合一"式诗性智慧更为契合。同时,可以超越主体理性美学对审美对象的等级划分,开拓美学研究的广阔空间。
Since the beginning of the 20 th century to the late 80 s, Chinese aesthetics research basically belongs to western rational aesthetic paradigm. With the continuous development of Chinese market economy, the rise of mass culture, Chinese aesthetics studies need to break, to make the aesthetics return the life and sensibility. The aesthetics research return sensibility,is the aesthetic subject, also is aesthetic should be, also with the Chinese traditional poetic wisdom of ＂nature and humanity＂ type is more fit. At the same time, can go beyond the main body of rational aesthetics aesthetic object hierarchy, explore the aesthetic study of vast space.
出处
《重庆社会科学》
CSSCI
2015年第4期73-80,共8页
Chongqing Social Sciences
关键词
中国美学
当代艺术
现代艺术
Chinese aesthetics
contemporary art
modern art
