摘要
民间刺绣作为中国民间文化的重要组成部分,是一份珍贵的民间文化遗产。以江南大学民间服饰传习馆藏品较多的江南、闽南、山东、山西、陕西、皖南、中原7个地方涉及服装、饰品及纺织品在内的2 174件藏品为研究对象,从造型、色彩、工艺、纹样四个方面总结近代汉族民间刺绣的风格特点,论述了近代汉族民间刺绣在文化包容性、造物文化、民俗文化及审美文化方面对传统文化的传承,表明汉族民间刺绣不是一个偶然的艺术现象,而是有着深刻的文化渊源,为民间刺绣的传承及在现代服饰产业中的应用奠定理论依据。
As an important constituent part of Chinese folk culture,folk embroidery is a precious folk cultural heritage. With 2 174 objects including clothes,accessories and textiles in regions south of the Yangtze River,southern Fujian,Shandong,Shanxi,Shaanxi,southern Anhui and Central Plains which are collected in the College of Textiles and Garment,Jiangnan University as research objects,this paper summarizes style features of modern Han folk embroidery in four aspects-shape,color,process and pattern,discusses the inheritance of traditional culture in modern Han folk embroidery in such aspects as cultural tolerance,cultural creation,folk culture and aesthetic culture,shows that Han folk embroidery is not an occasional artistic phenomenon,but has profound cultural origin,and provides theoretical basis for the inheritance of folk embroidery and its application in modern clothing industry.
出处
《丝绸》
CAS
CSCD
北大核心
2015年第4期53-57,共5页
Journal of Silk
基金
国家社会科学基金项目(12BMZ049)
关键词
近代汉族
民间服饰
刺绣
风格特点
文化传承
modern Han nationality
folk costume
embroidery
style features
cultural heritage
作者简介
郑红（1990一）女，硕士研究生，研究方向为服饰文化。
通信作者：崔荣荣，教授，cuirong3369@sina．com。
