摘要
本文聚焦文学史从政治标准向审美标准转型的历史进程,梳理考察了上世纪八九十年代"重写文学史"和"重排大师座次"两次事件,揭示了审美标准背后隐含的政治因素。对审美与政治的关系重新进行理论反思可以发现,文学史标准不是单一的,而是多元的,必须打破文学史研究的中心论、二元论,建构一种社会历史文化背景下多维度、平衡的文学史观。
The article focuses on the historical process of literary history from the political criteria to the aesthetic standard, combs and investigates two incidents such as ＂Rewrite Literary History＂ and ＂Rearrange Seating of Masters＂ in the eighties and nine- ties, reveals the implicit political factors behind the aesthetic standard. Through theoretical reflection on the relationship between aesthetics and politics once again, we could find that the standard of literary history is not a single but diverse, we must break the center theory and dualism in literary history research, and then construct a multi - dimensional and balanced literary history in the social historical and cultural background.
出处
《贵州师范大学学报（社会科学版）》
2015年第2期96-100,共5页
Journal of Guizhou Normal University(Social Sciences)
关键词
文学史
审美
政治
星丛
多元决定论
Literary History
Aesthetic
Politics
Constellation
Multi - dimensional Determinism
作者简介
管才君（1978-），男，江苏江都人，扬州大学文学院博士生。研究方向：文学理论，文艺美学。
