摘要
王闿运一生的志趣就是要做纵横家,他注释《高唐赋》,亦时时可见其纵横家的思想。他的注释采取的不是"我注六经"的方式,而是"六经注我",因而别开生面,呈现出新奇诡异的特征。在王闿运的眼里,宋玉《高唐赋》并非是一篇山水赋,而是一篇政治、军事赋,其中描写的巫山神女以及自然山水、飞禽走兽都是有政治、军事象征含义的。同时,他以《高唐赋》为载体,借注释《高唐赋》之机,引申发挥,暗中表明了自己在政治、军事、外交上对时局的看法。
Wang Kai - yun＇ s ambition is to become a the idea of the politicians strategist can be often seen. politicians strategist. In his annotations of Fu on Gao Tang, He took the principle of ＂Six Confucian Classics annotating my thoughts＂ instead of ＂my thoughts annotating Six Confucian Classics＂. So his annotations are quite special, innovative and mysterious. In his mind, Song Yu＇ s Fu on Gao Tang is not a scenicfu but a political and militaryfu, in which the Goddess of Wu Mountain and the natural landscape have the political or military symbolic meanings. Thus, he used Fu on Gao Tang as a vehicle to express his own opinion on politics, military affairs and foreign affairs in its annotations.
出处
《湖北文理学院学报》
2015年第3期34-38,共5页
Journal of Hubei University of Arts and Science
基金
湖南省高等学校科学研究重点项目(11A038)
作者简介
肖友芳（1988-），女，湖南汉寿人，湖南科技大学人文学院中国古代文学专业2012级硕士研究生；
吴广平（1962-），男，湖南泪罗人，湖南科技大学人文学院教授，硕士研究生导师，主要研究方向：先秦两汉魏晋南北朝文学。
