摘要
审美是人类掌握世界的一种特殊形式,是人与社会、自然形成的一种无功利的、形象的和情感的关系状态,但当前的大众文化深刻地影响了我们的思维意识,改变了我们的审美格局。舞蹈作为人类最早发生的文化现象与大众审美应是互为成长的,但随着大众审美情趣的改变也被人为地"小众化"。本文意在对大众审美与舞蹈的不断碰撞中探讨造成舞蹈被"小众"的原因及对"大众"与"小众"关系的理性解读。
Aesthetic is a special form for man to grasp the world. It is the natural relationship between man and society, image and emotional state with non - utilitarian purpose. However, the emergence of current mass culture has deeply influenced our thinking consciousness, and changed our aesthetic pattern. Dance as an earliest human cultural phenomenon should be mutually growing with public appreciation. But it has been ＂ small minority＂ artificially with the change of the public aesthetic. This article intends to investigate the reasons for dance to be ＂small minority＂ and the rational interpretation for the relationship between ＂mass＂ and ＂small minority＂ from the continuous collision between public appreciation and dance.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2014年第6期59-61,共3页
Journal of Beijing Dance Academy
基金
陕西省教育厅科学研究项目"陕西本土舞蹈的当代转化与创作研究"(项目编号:2013JK0501)课题论文
关键词
大众审美
“小众”
舞蹈
传播
mass aesthetic
small minority
dance
spread
作者简介
【作者简介】张涛，男，硕士，宝鸡文理学院音乐系讲师，主要研究领域：舞蹈教育。
