摘要
为了对国家非物质遗产竹编画工艺原理进行总结,考察了四川省内各竹编画产地,搜集整理了各类竹编大师及企业的上百幅竹编画作品资料。通过对竹编画的编织方法和结构进行研究,归纳总结出竹编画常用组织类别及其在竹编画上的应用技艺特征和外观表现效果,探究了不同组织类别在竹编画中的色泽光影特点。竹编画常用组织有缎纹组织、斜纹组织、平纹组织及变化组织,竹编画通过竹丝颜色和编织组织的选配来影响色泽及光影明暗的变化,其中龚扇常用浅色作经纬,以组织的不同斜向形成画面;青神竹编画利用不同组织中平均浮长对色泽光影的影响来实现对图案的表达。
To summarize the technical principle of bamboo weaving painting, a national intangible product, this study investigates each place of production of bamboo weaving paintings in Sichuan, collects and organizes the information of hundreds of bamboo weaving paintings of various bamboo weaving masters and enterprises, studies the weaving method and structure of bamboo weaving paintings, summarizes common weaving categories of bamboo weaving painting and their application skills and features and appearance manifestation effect on bamboo weaving painting and explores color and shadow characteristics of different weaving categories in bamboo weaving painting. Common weaves of bamboo weaving painting include satin weave, twill weave, plain weave and derivative weave. The matching of bamboo filament color and weaves influence the variation of color and shadow. Gong fan often uses light colors as warp and weft, which form a picture with different slants of weaves. Qingshen bamboo weaving painting uses the influence of average floating length in different weaves on color and shadow to realize the expression of patterns.
出处
《丝绸》
CAS
北大核心
2014年第12期30-34,共5页
Journal of Silk
关键词
竹编画
编织组织
组织配合
组织特点
勾边
bamboo weaving painting
weaves
weaving matching
weaving characteristics
draw edge
作者简介
汪苗（1990-），女，硕士研究生，研究方向为纺织品设计。
通信作者：赵敏，副教授，zhao_min@scu.edu．com.
