摘要
《陌上桑》为汉乐府名篇,前有论其原旨为"刺淫"与"辨洁"。但二者一而二,二而一,共赴"秦氏有好女"形象的塑造。因此,"好女"才是《陌上桑》三重主题的中心,《陌上桑》在中国文学史上最重要的贡献就是塑造了秦罗敷这一"好女"形象。"好女"即美女,罗敷之美与前代文学描写不同,而具有了汉代妇教更为突出的"德言容功"的时代特点,并以姓"秦"谐音"情"字,为千古的美女描写作了画龙点睛之笔。这使《陌上桑》成为中国古代美女题材文学的名篇,后世唯曹植的《洛神赋》堪与方驾。但《洛神赋》是浪漫的事,《陌上桑》更加贴近现实,溯源应是《诗经·硕人》,而下影响到唐宋诗词与清代《聊斋志异》、《红楼梦》等,是中国古代美女题材文学史中的重要一环。
Mo Shang Sang is famous in Han Music Conservatory. And beauty Qin Luo fu is the center of triple theme and also an important image in Chinese literary history, full of women＇s virtues in ancient China, so Mo Shang Sang becomes a representative of theme of beauty. Compared Goddess Luoshen by Cao Zhi, Mo Shang Sang is true to life, whose origin should be from The Book of Songs, and has influ enced poems and song lyrics in the Tang and Song dynasties, as well as novel writing such as Strange Tales in the Studio, The Dream of the Red Chamber, and so on.
出处
《河北学刊》
CSSCI
北大核心
2014年第3期70-76,共7页
Hebei Academic Journal
关键词
《陌上桑》
刺淫
辨洁
好女
美女文学
Mo Shang Sang
ironically promiscuous
clearly
good women
literature of beauty
作者简介
杜贵晨（1950-），男，山东宁阳县人，山东师范大学文学院教授、博士生导师，主要从事中国古代文学研究。
