摘要
严歌苓的小说《芳华》以独特的叙事视角和叙事策略展现了横跨四十年的个人命运沉浮。其中叙事的转换与承接是以两个叙事角度的"我"之间的来回转移来完成的。两个叙事角度的"我"以一种想象性的叙事来填补其中的叙事缝隙,起到了相互解释、补充的作用并产生了虚实混合的叙事效果,这种叙事效果使得文本的叙事具有了一种不可靠性,它来自叙述者想象与回忆的模糊,这种模糊暗合了时代给予个人的伤害以及群体之间价值观的裂痕。
It shows the ups and downs of personal fate spanning 40 years with its unique narrative perspective and narrative strategy in the Yan Geling’s novel Youth.The transformation and inheritance of narrative is accomplished by the rotation between"I"from two narrative perspectives.The narrative gap which is included in the text is filled in two narrative angles of"I".It plays a role of mutual explanation and complementation and produces a narrative effect of mixture of reality and fiction.It makes the unreliable narrative of the text because of the narrative effect.The unreliable narrative of the text comes from the vagueness of the narrator’s imagination and memory.This ambiguity implies the harm to individuals caused by the times and the gap of values between groups.
作者
陈晨昕
CHEN Chen-xin(Chongqing Nonnal University,Chongqing 401331 China)
出处
《新余学院学报》
2019年第1期100-103,共4页
Journal of Xinyu University
关键词
《芳华》
叙事视角
想象叙事
不可靠叙述
Youth
narrative perspective
imaginative narration
unreliable narration
作者简介
陈晨昕(1993-),男,四川泸州人,重庆师范大学2016级中国现代文学专业硕士研究生。
