摘要
在东汉至南北朝 30 0多年时间里 ,中国的社会形态发生了根本性的变化 ,中原一统天下的格局被打破 ,少数民族政权的产生使中原文化受到冲击 ;佛教艺术随着佛教从西域和印度传入中国 ,中国也产生了具有自己审美特征的佛教艺术。
The 300 years from the East Han to the Southern and Northern dynasties saw a fundamental change in the Chinese social mode. The appearance of minor ethnic powers broke through the unified reign of the centralized dynasties and brought a shock to the Central Plain culture. With the introduction of Buddhism and Buddhist art, China began to build and develop its own aesthetic value system. Buddhist art has made a very great influence upon various fields of life of the Chinese people.
出处
《海南大学学报（人文社会科学版）》
2001年第2期52-56,共5页
Journal of Hainan University （Humanities & Social Sciences）
关键词
佛教雕塑
中国
佛教
佛教艺术
敦煌壁画
美学特征
佛教建筑
buddhism
buddhist art
dunhuang wall paintings
aesthetic features
buddhist architecture
