摘要
手法主义发生于盛期文艺复兴和巴洛克艺术2个伟大的时代之间,虽然起着过渡作用,但是仍能自成一格,在艺术史中有其独立的位置。意大利园林受手法主义的影响,其内容和形式上也随之发生变化。在众多精美绝伦的意大利文艺复兴时期园林中,试图以一位手法主义建筑和花园的最主要影响者维尼奥拉为线索,以与其相关并在意大利文艺复兴花园中极具影响力的3座别墅花园为例,从场地与功能、整体结构、轴线与比例、造园要素细节对花园进行对比研究,进一步窥探手法主义时期,自然与艺术之美融于一身的意大利花园的造园艺术。
Mannerism emerged from the later years of the Italian High Renaissance and lasted until the Baroquestyle began to replace it. Although it played a transitional role, it still had its own place in the art history. Italian gardens were influenced by Mannerism at that time, and the content and form were accordingly changed. Among numerous magnificent Italian Renaissance gardens, this paper takes a sought- after architect named Vignola who was one of the most influential figures in Mannerist architectures and gardens as clue, and takes three villa gardens closely related to Vignola and with a lot of influence in the Italian Renaissance gardens as an example. Comparing these villas from the following aspects - site and nction, overall structure, axis and proportion, and landscape elements details, to further explore art of Italian gardens in the Mannerist period.
出处
《中国园林》
北大核心
2014年第4期114-119,共6页
Chinese Landscape Architecture
基金
中央高校基本科研业务费专项资金(编号TD2011-28)资助
作者简介
王南希／1986年生／女／黑龙江牡丹江人／在读博士研究生／研究方向为风景园林规蜘j与设计（北京100083）
董璁／1968年生／男／辽宁沈阳人／教授、博士生导师／研究方向为园林建筑设计（北京100（）83）
