摘要
解说词作为纪录片创作中不可回避的一个环节,其创作理念与风格也在发生变化。影视是声画结合的艺术,观众对纪录片解说词的理解与感受虽是诉诸于人类的听觉,但解说词的本质仍属于文字。因此,必须在纪录片制作的大背景下,思考解说词的创作。传播学理论中的"5W模式"为我们分析解说词的创作理念提供了理论框架。为此采用案例分析法,以《舌尖上的中国》(第一季)为例,对纪录片解说词的创作理念进行多视角的分析与总结。认为纪录片解说词的创作要以影视创作的思维方式进行,不仅需要对纪录片的受众定位与传播内容进行研究,还要具有一定的拍摄与剪辑意识。
Commentary as the documentary creation is an unavoidable part that creative ideas and styles are also chan- ging. Film and TV Arts are the combination of sound and picture. The audience understand and feel the documentary commentary resort to human hearing, but the nature of the commentary is still a text. Therefore, we must think about the creation of the commentary in the context of documentary filmmaking. 5W mode in communication theory provides a good theoretical framework for analysis of commentary creative ideas. The article uses the case analysis by A Bite of China （ the first quarter）, the creative concept of the documentary commentary multi-angle analysis and summary. The creation of the documentary commentary to the film and television creative way of thinking, not only needs to study the documenta- IT audience targeting and dissemination of content, but also has some shooting and editing consciousness.
出处
《重庆邮电大学学报（社会科学版）》
2014年第1期91-94,共4页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
重庆市教育科学"十一五"规划高校项目:基于m-Learning的校际精品课程资源设计与开发研究(10-GJ-0708)
关键词
纪录片
解说词
声画结合
传播学
documentary
commentary
counterpoint of sound and motion picture
communication
作者简介
佟延秋（1980-），男，辽宁鞍山人，讲师，主要从事纪录片创作、广播电视技术研究。
