摘要
新媒体时代,随着数码复制技术的发展,旧媒体艺术的光晕被新媒体造成的冗余环境所遮蔽。在相当程度上,冗余环境会造成人们的审美疲劳,而冗余对光晕的遮蔽会造成旧媒体艺术的萧条景象。但旧媒体艺术并没有消亡,旧媒体艺术的光晕并没有消失,它依旧以其母本价值捍卫着其生存的合理性。另外,旧媒体艺术还在新媒体环境中产生种种改变,增加了对新环境的适应性,获得了新的发展。
In the new media age, with the development of digital copying technology, the aura of old media arts is obscured by redundancy caused by the new media environment. To a considerable extent, the redundancy will produce people＇ s aesthetic - fatigue, and the shielding will make the old media arts to a result of recession. But the old media arts are not dead, and the aura of old media arts is not disappeared, and the original value of old media arts plays a key role to defend the existence - rationality. In addition, through their new changes, old media arts have increased the adaptability and gained new development in the new media environment.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2013年第6期93-97,共5页
Journal of Nanchang University(Humanities and Social Sciences)
基金
国家社科基金艺术学项目"数码艺术潜学科群研究"(13BA008)
作者简介
张经武（1974-），男，湖北黄冈人，广西财经学院副教授，厦门大学2013级新媒体专业博士生，从事新媒体艺术产业、文艺传播研究。
