摘要
文章借助考古、神话、岩画对古羌乐舞进行考证和分析。认为舞蹈纹彩陶盆、陶鼓和陶哨,是古羌乐舞最早的实物见证;昆仑神话中的描述是古羌乐舞最早的记载;岩画是古羌乐舞的影像再现;古代文献中的"连臂踏歌"是古羌乐舞的发展记录。提出了古羌乐舞与藏族舞蹈一脉相承的观点。
In the article the music dancing of ancient Qing is studied and analyzed with the help of archaeology,myth and rock paintings.It is believed that pottery basins,drums and ceramic towers painted with dancing figures are the earliest physical evidences for the music dancing of ancient Qing,the descriptions of the dance in Kunlun myth are the earliest records of it,and the rock paintings with dancing figures can have it reappear.The term of ＂dancing and singing with arms linked＂in ancient literature is the record of the development of the dancing.It is pointed out that the music dancing of ancient Qing wa connected with the Tibetan dance in the past.
基金
2009年度教育部人文社会科学研究西部和边疆地区规划基金项目"青海省少数民族传统体育可持续发展研究"阶段性成果
项目号:09XJAZH002
关键词
羌
舞蹈
吐蕃
连臂踏歌
Qiang
dance
Tubo
dance with arms linked
作者简介
逯克胜，男，汉族，青海乐都人，青海民族大学体育系副教授，主要研究方向为民族体育。
