摘要
吴兆骞赎归反映了清初特定的政治文化生态。康熙帝虽对吴兆骞所献《长白山赋》"览而称善",但他绝非像一般文人那样仅仅着眼于其华美的词采,而是看重其所蕴含的政治文化意义。吴兆骞归京后参与以容若为中心的花间草堂文人雅集,并非只为以文会友,而是有着深隐的心理动机。康熙帝所推行的"文治"策略及当时满汉矛盾的缓和,是吴兆骞得以赎归的根本原因。通过吴兆骞赎归这一事件也可觇视江南文人心态之变迁。
Wu zhaoqian＇s return to Beijing reflects the early Qing Dynasty＇s potitical culture. Although Emperor Kangxi appreciated Wu Zhaoqian＇s ＂Ode to Changbai Mountain＂ highly, but what he valued was not just its literary merit, but its political and cultural significance. Wu Zhaoqian attended the literati gatherings organized by Rong Ruo not merely for meeting literary friends but for his concealed psychological reasons. Emperor Kangxi＇s cultural policy and the ease of the ethnic tension were the primary reason for Wu Zhaoqian＇s return. This event also reflected Southern scholars＇ mentality.
出处
《北京社会科学》
CSSCI
北大核心
2012年第6期95-101,共7页
Social Sciences of Beijing
基金
黑龙江省博士后资助金项目(LBHQ10022)
关键词
吴兆骞赎归
《长白山赋》
花间草堂雅集
康熙“文治”
Wu Zhaoqian＇s return to Beijing
＂Ode to Changbai Mountain＂
the literati gatherings
Kangxi＇s cultural policy
作者简介
陈才训（1972-），男，河北南皮人，黑龙江大学文学院教授，博士．
