摘要
诗歌由于分行摆布而形成了独特的外观样式。作为现代诗歌最基本的形式单位,诗歌的行既是诗歌诉诸听觉的时间单位,也是诉诸视觉的空间单位与诉诸心灵的意义单位。现代诗歌"留空"、"提行"与"分节"的技法运用,应该基于对诗歌行列的正确理解。
A poem has assumed a unique style of appearance due to the division and placement of its lines. As the most basic unit of form in modem verse, lines of a poem are not only the unit of time for verse to resort to hear- ing but also the unit of space to resort to vision and the unit of significance to resort to the heart. Therefore, the use of such skills as ＂leaving a blank＂, ＂beginning a new line＂ and ＂segmentation＂ in modem verse should be de-pendent on a proper understanding of poetic lines.
出处
《海南师范大学学报（社会科学版）》
2012年第8期108-112,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
现代诗歌
行列摆布
诗意模块
modem verse
the positioning of lines
poetic modules
作者简介
薛世昌（1965-），男，甘肃秦安人，天水师范学院文史学院教授，主要从事文学理论、中国诗学的教学与研究工作。
